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ABC Producer Stages January 6th Committee

&NewLine;<p>If the public meetings of the January 6<sup>th<&sol;sup> Committee looked more like a tightly scripted television serial than a traditional legislative hearing&comma; that is because it was&period;&nbsp&semi; It was nothing less than a political propaganda performance crafted by a television producer&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>In an unprecedented move&comma; the January 6<sup>th<&sol;sup> Committee hired a chap named James Goldston – the former president of ABC Television News and producer for &OpenCurlyDoubleQuote;Good Morning America” and &OpenCurlyDoubleQuote;Nightline&period;”&nbsp&semi; &lpar;Another example of the disturbingly close ties between media and the political world&rpar;&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>According to an unnamed Committee Source&comma; Goldston was hired &OpenCurlyDoubleQuote;to bring its news-gathering and storytelling skills to create a dramatic nightly presentation about the attack on the Capitol&period;”<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>In an article in The Wrap&comma; Brandon Katz writes that his source said that &OpenCurlyDoubleQuote;previously unseen footage of the attack&comma; produced packages and other tools&comma; will be leveraged to make the hearings compelling&comma; rather than just a series of witnesses&period;”&nbsp&semi; In other words&comma; crafted propaganda&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>The idea of turning a traditional legislative hearing into a documentary was consistent with the Committee&&num;8217&semi;s mission to prosecute the case against Trump&period;&nbsp&semi; What Goldston did for the Committee was to connect the Committee&&num;8217&semi;s goal with a format designed to enhance its salesmanship&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>The selection of material&comma; evidence&comma; and testimony parceled out to the public was crafted by Goldston for maximum impact&period;&nbsp&semi; Each public session of the Committee was prearranged as a docudrama – a concocted reality show&period;&nbsp&semi; Information presented or withheld for ascending impact&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>In hiring Goldston&comma; the Committee resorted to the basic tools of propaganda to give its preconceived narrative greater public impact&period;&nbsp&semi; Unlike most congressional hearings&comma; this one was carried by the networks as if it was regularly scheduled programming – the latest installment in hyperbolic insurrection narrative&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>Even the media reviews of the January 6<sup>th<&sol;sup> Committee television mini-series sound like movie hype – &OpenCurlyDoubleQuote;dramatic” … &OpenCurlyDoubleQuote;blockbuster” … &OpenCurlyDoubleQuote;sensational” … &OpenCurlyDoubleQuote;gripping”&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>The January 6<sup>th<&sol;sup> Committee broke a lot of important traditions – Pelosi first banning members appointed by the GOP … then appointing Republican false flaggers … mandating the one-sided Committee with a specific outcome &&num;8212&semi; and overtly utilizing media propaganda techniques and tools to create a public production&period;&nbsp&semi;&nbsp&semi;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>Apart from the events of January 6&comma; 2021 – or the merits or accusations of criminality &&num;8212&semi; the Committee has been a corruption of the legislative process in its brutal partisanship&period;&nbsp&semi; Turning the legislative hearing process into a stark partisan infomercial is bound to have repercussions in the future&period;&nbsp&semi;&nbsp&semi;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>It is one thing to televise a hearing&comma; but quite another when it is scripted and rehearsed &&num;8212&semi; and the legislators turned into actors literally playing assigned parts from the prepared script&period;&nbsp&semi;&nbsp&semi;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>The only thing missing was the &OpenCurlyDoubleQuote;Produced and directed by James Goldston” at the conclusion of each performance&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>So&comma; there &OpenCurlyQuote;tis&period;<&sol;p>&NewLine;

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